a vignette by Fred Leeds
To retrieve one’s more natural intention, one must contrive to study blindness. Take the pianist, for example, who creates whole worlds by training his hands to overtake him. Or consider the singer, whose long practice carries her off to nnw expression beyond the fixed sense of speech. Or consider the poet, who dives unaided into the evolving word, confronting meanings beyond the printed certainty of the everyday. Each is taken by a sort of willing surprise; each abandons old eyes to see past mere finish and welcome the new.
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